It’s one thing for generative AI to resemble you. It’s another thing for it to make you wonder whether you actually shot the footage yourself and forgot. That was my experience today with Luma’s Ray3.2 Modify. A single-prompt, multi-keyframe, photorealistic result with a moving camera on a moving boat.
About us
Empowering the world to visualize ideas through pioneering research and design. Try Dream Machine for free → lumalabs.ai/dream-machine
- Website
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https://lumalabs.ai/dream-machine
External link for Luma | Dream Lab
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- Software Development
- Company size
- 11-50 employees
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- Public Company
Updates
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Change the weather. Relight the scene. All in under a minute. Luma x Jacob Russo
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LACRIMOSA. Episode 1. Artist Bryan Soegondo brings us into a dark underworld devoid of grace and mercy. A man defined by loss and guilt faces judgment upon the altar. Luma Ray 3.2 · multi-keyframe. #luma #ai
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Replace characters with the “Character Swap” Skill created by artist Keith Paciello using Luma Skills. Create your own or discover skills made by other creators in Luma.
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Luma | Dream Lab reposted this
Introducing Luma Connectors. Your stack is already where your work lives. Now Luma plugs into it. Connect Airtable, Dropbox, Google Drive, and more; your files come with you, into the board where the work actually gets made. No exports. No re-uploads. Your tools, your work, one surface. Read more → lumalabs.ai/app
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Mirror Lake Tutorial -> save this breakdown - Create your assets, including characters, environments, script, etc. - Create start frames and end frames as needed, for each shot multi-keyframe can take many frame inputs, so depending on shot complexity, create key frames as needed - Run Ray3.2 Multi-Keyframe (MKF), analyze the output video, and add, remove, or edit keyframes. - Important note: Ray3.2 MKF will interpolate to keyframes where you set them in the timeline, so adjust accordingly if results are messy. Created by Blake Johnson Made with Luma
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Immerse into the world of Blake Johnson’s imagination 🤯🚀 Blake used Luma agent to compose the environment, characters, and VFX for a short story idea he’s been wanting to share for a time. The workflow sauce is this - Blake used Ray3.2 multi-keyframe to direct the scenes on a critical level. He continued to add more keyframes until he got exactly what I wanted, which is a lot more control than you would get otherwise. We hope you enjoy this short story about responsibility and sacrifice created from actor’s movements, reimagined with Luma. Try it now with Ray3.2 modify video.