Luma | Dream Lab

It’s one thing for generative AI to resemble you. It’s another thing for it to make you wonder whether you actually shot the footage yourself and forgot. That was my experience today with Luma’s Ray3.2 Modify. A single-prompt, multi-keyframe, photorealistic result with a moving camera on a moving boat.

Change the weather. Relight the scene. All in under a minute. Luma x Jacob Russo

What if the reason your AI creative sucks has nothing to do with the model, and everything to do with what you put in before you hit send? Luma x Tony Hou

LACRIMOSA. Episode 1. Artist Bryan Soegondo brings us into a dark underworld devoid of grace and mercy. A man defined by loss and guilt faces judgment upon the altar. Luma Ray 3.2 · multi-keyframe. #luma #ai

Behind the scenes of Tony playing as a Tang Dynasty warrior, made with Ray3.2 Modify Video Multi-Keyframe and Uni1.1 Made by: Tony Hou Made with: Luma

阳关 · Yang Pass At the edge of the Tang Empire, where history fades into legend, a lone warrior stands in Mingguang armor. Tony's VFX exploration with Luma Ray3.2 multi-keyframe video modify. Made by: Tony Hou Made with: Luma

Replace characters with the “Character Swap” Skill created by artist Keith Paciello using Luma Skills. Create your own or discover skills made by other creators in Luma.

Mirror Lake Tutorial -> save this breakdown - Create your assets, including characters, environments, script, etc. - Create start frames and end frames as needed, for each shot multi-keyframe can take many frame inputs, so depending on shot complexity, create key frames as needed - Run Ray3.2 Multi-Keyframe (MKF), analyze the output video, and add, remove, or edit keyframes. - Important note: Ray3.2 MKF will interpolate to keyframes where you set them in the timeline, so adjust accordingly if results are messy. Created by Blake Johnson Made with Luma

Immerse into the world of Blake Johnson’s imagination 🤯🚀 Blake used Luma agent to compose the environment, characters, and VFX for a short story idea he’s been wanting to share for a time. The workflow sauce is this - Blake used Ray3.2 multi-keyframe to direct the scenes on a critical level. He continued to add more keyframes until he got exactly what I wanted, which is a lot more control than you would get otherwise. We hope you enjoy this short story about responsibility and sacrifice created from actor’s movements, reimagined with Luma. Try it now with Ray3.2 modify video.