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Music + Interviews

March 2026

  • A closeup of a woman with red hair and blue jacket.

    ‘I never had those deep chats in the smoking area’: Arlo Parks on embracing late night life with her hedonistic new album

    In her teens, the Mercury prize-winning musician was stuck on tour buses when she should have been on the dancefloor. Now she is throwing herself into club culture – and living on her own terms

February 2026

  • Getty Images Portrait Studio Presented By IMDb And IMDbPro At The Intercontinental Hotel Toronto, 2025TORONTO, ONTARIO - SEPTEMBER 06: Baz Luhrmann of "EPiC: Elvis Presley in Concert" poses in the Getty Images Portrait Studio Presented by IMDb and IMDbPro during the Toronto International Film Festival at InterContinental Toronto Centre on September 06, 2025 in Toronto, Ontario. (Photo by Gareth Cattermole/Getty Images for IMDb)

    Baz Luhrmann: ‘There’s the image of Elvis and then there’s the man’

  • Geddy Lee (front) and Alex Lifeson of Rush

    ‘Everybody wants a bestie like this guy!’ Rush on rock’s most anticipated reunion – and its greatest bromance

  • From left, John Moore, Sarah Nixey and Luke Haines of Black Box Recorder.

    ‘We’re a pub friendship – with songs attached’: deadpan dazzlers Black Box Recorder return, thanks to Billie Eilish

  • Mumford & Sons' Marcus Mumford in black leather coat against turquoise background

    The Q&A
    Marcus Mumford: ‘Which living person do I most admire? Sickeningly, it’s probably my wife’

  • British pop-soul sensation Skye Newman: ‘I come from a vulnerable background and there are vultures in this world’

  • Film & Music reader interview
    Musician and film-maker Flying Lotus: ‘The whole lo-fi beats thing has become like Starbucks music’

  • ‘It was spooky’: folk singer Olivia Chaney on how a song reflecting her own Brontë-ish love triangle wound up in Wuthering Heights

  • Walk with ...
    Deborah Cheetham Fraillon: ‘Composer by necessity, soprano by diligence and lesbian by practice’

  • ‘I didn’t know who I was’: Tom Misch on burnout, becoming a barista and returning to music

  • ‘Choosing happy is a hell of a process’: Thundercat on funk, lost friends and being fired by Snoop Dogg (possibly)

  • ‘That make-or-break feeling? I love it’: can André de Ridder put ENO back on its feet?

  • The big interview
    Reshona Landfair on her life after R Kelly: ‘I had to rebuild my entire self’

  • ‘I don’t have to create his legacy, I just have to protect it’: Chadwick Boseman’s widow Simone on grieving a global star – and guarding his secrets

  • Anthems, agency and arias: baritone Davóne Tines on rewriting his role – and the rules

  • Film & Music reader interview
    The Cardigans’ Nina Persson: ‘Ozzy said our Black Sabbath cover was the creepiest thing he’d ever heard’

  • Guardian Australia's headline act
    May-a: ‘I was not in a good place – no one’s in a good place when they get a neck tattoo’

  • ‘Charisma is a form of psychosis’: inspiring Eric Clapton, having kids at 70 … the irreverent life of post-punk puppeteer Ted Milton

  • Milli Vanilli’s Fab Morvan on his lip-syncing downfall and Grammys comeback: ‘The truth will set you free’

January 2026

  • Madison Beer

    ‘People can be cruel – I learned that early’: US pop star Madison Beer on child fame and fan attacks

    Signed at 13 and dropped by 16, Beer’s path to stardom has not been easy. Now 26, she says she’s finally making music for herself and happy to wear her heart on her sleeve
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