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Articles by JAMIE
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The FAST Gold Rush Is Over: Now the Accountants Are Asking Where’s the ROI?
The FAST Gold Rush Is Over: Now the Accountants Are Asking Where’s the ROI?
For the last several years, FAST has been one of the biggest gold rushes in television. Launch a channel.
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5 Comments -
FAST Is at a Crossroads: Why CTV Needs to Stop Chasing Volume and Start Building TelevisionAug 25, 2026
FAST Is at a Crossroads: Why CTV Needs to Stop Chasing Volume and Start Building Television
The FAST gold rush was supposed to change television forever. Instead, the industry may have built too many channels…
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2 Comments -
Why Is YouTube Paying Creators Not to Give Their Content to Netflix?Aug 22, 2026
Why Is YouTube Paying Creators Not to Give Their Content to Netflix?
The creator economy may be approaching a curious inflection point: YouTube appears increasingly determined to keep its…
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Kapang is bringing a new sense of optimism and opportunity to FAST.Aug 21, 2026
Kapang is bringing a new sense of optimism and opportunity to FAST.
For FAST channels, content libraries and content studios, the challenge today is not simply getting content onto…
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Kapang Launches Minimum Revenue Model to Fast-Track Producers from Development to ScreenAug 14, 2026
Kapang Launches Minimum Revenue Model to Fast-Track Producers from Development to Screen
Kapang is introducing a new Minimum Revenue model designed to give producers developing unique intellectual property a…
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4 Comments -
View TV Bypasses The Gatekeepers With ‘Kapang’ Launch, driving $100 RPMs and A New Era Of Unhindered Unified StreamingAug 10, 2026
View TV Bypasses The Gatekeepers With ‘Kapang’ Launch, driving $100 RPMs and A New Era Of Unhindered Unified Streaming
LOS ANGELES - The future of television isn’t about the next massive corporate merger or another pivot to a…
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8 Comments -
BrandWorks TV: The Return of Branded Entertainment - Proven by the Creator Community and reapplied as a performance media by Brandworks.Aug 5, 2026
BrandWorks TV: The Return of Branded Entertainment - Proven by the Creator Community and reapplied as a performance media by Brandworks.
The future of advertising isn't another commercial. It's becoming part of the story people actually choose to watch.
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FAST Doesn't Have a Distribution Problem. It Has an Economics Problem. View TV Network Thinks It Has the Answer.Aug 4, 2026
FAST Doesn't Have a Distribution Problem. It Has an Economics Problem. View TV Network Thinks It Has the Answer.
For the better part of a decade, the streaming industry has been sold a simple message: distribute your channel…
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🚀 We're Officially Live at Lift-Off Online Los Angeles 2026! - 🎬 GIMME MY MONEY! (PG13) Has ArrivedAug 4, 2026
🚀 We're Officially Live at Lift-Off Online Los Angeles 2026! - 🎬 GIMME MY MONEY! (PG13) Has Arrived
🚀 We're Officially Live at Lift-Off Online Los Angeles 2026! 🎬 GIMME MY MONEY! (PG13) Has Arrived After months of…
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The FAST Con Is Over: How Free Streaming Became Hollywood's Most Embarrassing Hustle but has now moved into a new exciting V2.0 era.Jul 31, 2026
The FAST Con Is Over: How Free Streaming Became Hollywood's Most Embarrassing Hustle but has now moved into a new exciting V2.0 era.
Let's call it what it is: a fire sale disguised as a strategy. The entertainment industry's latest collective delusion…
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7 Comments
Activity
31K followers
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JAMIE BRANSON reposted thisJAMIE BRANSON reposted thisWhen you put a shiny AI on top of a poor data foundation. #technology #ai #workplace Follow me if you are looking for an honest, sarcastic and funny perspective on technology and workplace.
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JAMIE BRANSON reposted thisJAMIE BRANSON reposted thisI still remember back in 1998 when I was one of the first users of ChatGPT. The adrenaline rush when I finally managed to connect on my 56k modem after 10 minutes. Then my mom picked up the phone, kicked me offline mid-conversation, and wiped out my entire chat history in one ruthless move. ChatGPT users today will never know the pain of waiting half a day just for AI to confidently misunderstand a simple question. #technology #ai #workplace Follow me if you are looking for an honest, sarcastic and funny perspective on technology and workplace.
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JAMIE BRANSON shared thisI get the same feeling!JAMIE BRANSON shared thisDirecting opportunities are going to surge. And we’re heading into a period where great directors are going to become more important than ever… Because a great director doesn’t simply “direct.” They see the vision. They understand the story. They shape the performances. They establish the tone. They make thousands of key creative decisions. And bring all of those individual pieces together into one cohesive vision… But most importantly… They make you feel something. And that’s an incredibly valuable skill set. Especially in culture today when more and more people are seeking connection & authenticity… And it’s only becoming more valuable as the entertainment ecosystem gets bigger, more complicated, and very dynamic… With more capital & increased demand for entertainment from audiences all over the world… And more things being made across more platforms, formats, and mediums… And when you look at everything happening across the entertainment landscape right now… Movies. Television. Documentaries. Commercials. Creator-led shows. Brand-backed entertainment. Microdramas. Live productions. And so much more… It makes sense. Because all of this creates more opportunity. But somebody still has to have the vision… You still need somebody who can look at a script, an idea, a performance, a location, a camera, a hundred different creative decisions and say… Okay. What should this actually be…? That’s the director… And there’s something else happening right now that I think makes this even more interesting… The tools to make things are becoming more accessible than ever. Technology is making production faster. AI is making creation easier. And more people around the world are going to be able to make things… But I don’t think that makes directors less important. I actually think it makes directors even more important. Because when almost everyone has access to incredible creative tools… Having the tools isn’t necessarily the differentiator anymore… Having the vision is. Taste. Perspective. Judgment. Originality. Knowing what works. Knowing what doesn’t. Knowing what to change. Knowing what to leave alone. And knowing how to take something that exists on a page or in someone’s imagination… And turn it into something people actually care about… That’s directing. So when we talk about this next chapter for entertainment and all the opportunities I believe are coming for creative people… Directors are going to benefit greatly. Because behind virtually every great movie, television show, documentary, commercial, music video, or piece of filmed entertainment… There’s a director who had to make thousands of decisions to bring that vision to life… And if we’re about to make a lot more things… We’re going to need a lot more directors to help make those things great. That’s why I believe directing opportunities are going to surge…
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JAMIE BRANSON reposted thisJAMIE BRANSON reposted thisBit extreme this, I only went to confession and usually got 3 hail Marys, 1 Our Father and a 'if you say that again you will go to hell' 🤣🤣🤣
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JAMIE BRANSON liked thisJAMIE BRANSON liked thisWhen you put a shiny AI on top of a poor data foundation. #technology #ai #workplace Follow me if you are looking for an honest, sarcastic and funny perspective on technology and workplace.
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JAMIE BRANSON liked thisJAMIE BRANSON liked thisI still remember back in 1998 when I was one of the first users of ChatGPT. The adrenaline rush when I finally managed to connect on my 56k modem after 10 minutes. Then my mom picked up the phone, kicked me offline mid-conversation, and wiped out my entire chat history in one ruthless move. ChatGPT users today will never know the pain of waiting half a day just for AI to confidently misunderstand a simple question. #technology #ai #workplace Follow me if you are looking for an honest, sarcastic and funny perspective on technology and workplace.
Projects
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Foxtel Reverse EPG
Delivery of a fully managed Innovative Technical Solution to automatically record, edit, encode and transfer video assets for STB VOD Catch Up services across the IQ2 and IQ3 solutions in Sydney, Australia. The technology software was written from the ground up within a number of months using our amazing in house team and the hardware was installed by the UK team and a number of carefully selected global suppliers suppliers.
Other creatorsSee project
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Absolutely spot on. Today’s broadcast teams need systems that adapt as fast as audiences do. BOSS Studio brings clarity to a complex ecosystem, unifying linear, OTT, and FAST operations while giving teams real-time visibility and control. Simplified workflows, smarter decisions, and scalability without friction, this is what modern broadcasting should look like.
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The power dynamic between major broadcast networks and their local affiliates is a constant source of tension. ICYMI, Jeff Westling wrote in an op-ed for TV Technology about how the current FCC media ownership rules actually weaken independent broadcasters. Jeffrey argues that lifting the national market cap would allow independent broadcast groups to achieve the scale necessary to negotiate on fairer terms with networks. This would give them more control over the content they air and provide a meaningful check on network power, ultimately benefiting local communities. Read the full article here: https://lnkd.in/eSp_Yydm
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We are getting ever closer to an official release candidate for this powerful new XMP firmware. A big thank you to everyone that has spent time testing the series of beta releases from early October through today. This has been one of our largest firmware update undertakings and the new optimizations, features, and capabilities are something I've very excited about for our users. New for Public Beta 8: Resolves bug from earlier betas that prevented LUM Coloring / Red Only / Green Only / Blue Only modes from being activated properly while in Color-Input->Global mode. Adds ability for profiles to save and recall preferred custom marker settings Includes the following updates from 3.1.14 beta versions 1 through 7: Menu and OSD Status Windows have been updated to always operate at a consistent (SDR range) luminance level regardless of monitor operating mode. This helps render menus on screen at a comfortable brightness level even when using the monitor in HDR mode. Menu brightness may still be further adjusted/customized from the OSD menu. Update to interactive behavior between Input Color Mode and Input Color Config for a more user friendly experience. Adds support for 6G and 12G signals in Quad Mode. Adds support for empty inputs in Quad Mode. 3G_INx4 renamed Quad Mode. Gamut Toggle -> Hue renamed Gamut Toggle -> Hue Preservation Adds and activates the Gamut Toggle menu item. Allows you to define gamut mapping behavior when the monitor is set to a color space selection larger than the display can achieve (e.g. Rec2020). See user manual for details. Color management menus updated into two separate menus, Color-Global and Color-Input. Color-Input menu now allows for independent color space configuration per input, including for simultaneous use in quad mode. Directly assign unique Gamut, EOTF, White Point, Range, and Luminance settings per input. A Global Color Input mode is also still provided allowing for universal application of color management settings across all inputs. Updated DIT LUT functionality (Global Color Input Mode only) allowing up to 16 DIT Look LUTs to be saved to the monitor's non-volatile memory. Performance Optimization: improvements to automatic signal locking on unclean switches and/or format changes upstream of monitor. This should reduce or eliminate the need to re-press an input button to force signal re-lock when dealing with variable or unstable signals upstream of the display. Bug Fix: Intermittent too bright on initial boot bug should be resolved in this build. Bug Fix: Resolves bug inadvertently introduced in the first public beta that could lead to intermittent No Signal indications during AutoCal that could interrupt the process and lead to corrupt calibration data. Resolves bug from previous betas that prevented scopes from working in the correct range while in Input Color Mode Global.
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