Reviews‘East Of Eden’ review: brutal American epic powered by Florence PughZoe Kazan delivers an unflinchingly bold take on the literary classic Vicky Jessop
Fat Dog’s chaotic carnival is changing course, but still marching forward: “I wanted to make something I actually feel”
‘Legacy – A Pink Floyd Show’: Roger Waters and son Harry’s new live production to tour North America in 2027
Tom Morello: “The Prodigy are one of the few live bands that gave Rage Against The Machine a run for our money”
Daisy Chain Fields 2026 review: Olivia Rodrigo’s all-women festival is a beautiful, empowering triumph
Ronnie Wood talks new Jimi Hendrix exhibition and hopes of Rolling Stones tour: “When my compadres say, ‘Let’s go’, I’ll be ready”
Johnny Marr on Fontaines D.C. and fighting “dodgy views”: “The current young generation are really switched on”
Linkin Park talk capturing their comeback with epic new film ‘Unshatter’: “When the energy is there, we start to feel unstoppable”
Nothing But Thieves tell us about “subverting expectations” on introspective ‘Stray Dogs’: “We’re a band that takes left turns”
Riff Wood talk “Green Day-inspired roots” and working with ‘Dookie’ producer on posi-punk new album: “We want to give hope to our generation”
GANS announce self-titled second album with propulsive new single ‘My God Is A Stranger’: “A cauldron of casual sex and witchcraft”
Paul McCartney “blown away” by Celine Dion’s work in ‘High In The Clouds’ adaptation: “What a talent”
‘Oasis: Don’t Look Back In Anger’ review: an emotional, irreverent reliving of rock’s unlikeliest reunion
Check out Peaches’ “darker, more twisted” new rework of ‘Fuck The Pain Away’ for ‘Clive Barker’s Hellraiser: Revival’
‘The Last Of Us Part 3’ gets promising update: “We wouldn’t return to it unless we had something meaningful to say”
