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View of Florence showing the dome, which dominates everything around it. It is octagonal in plan and ovoid in section. It has wide ribs rising to the apex with red tiles in between and a marble lantern on top.
In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.

Architecture is the study and practice of designing structures, especially habitable ones. It utilizes civil engineering techniques, but is considered a visual art. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia, and Buddhist architecture in particular took diverse local flavors. During the Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by architects known by name. Later, the roles of architects and engineers became separated.

Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism, which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed. Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating. (Full article...)

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Moorish architecture is a style within Islamic architecture that developed in the western Islamic world, including al-Andalus (the Iberian Peninsula) and what is now Morocco, Algeria, and Tunisia (part of the Maghreb). Scholarly references on Islamic architecture often refer to this architectural tradition in terms such as architecture of the Islamic West or architecture of the Western Islamic lands.

This architectural tradition integrated influences from pre-Islamic Roman, Byzantine, and Visigothic architectures, from ongoing artistic currents in the Islamic Middle East, and from the interaction between the cultures of al-Andalus and North Africa. Major centers of artistic development included the main capitals of the empires and Muslim states in the region's history, such as Córdoba, Kairouan, Fes, Marrakesh, Seville, Granada, Tunis and Tlemcen. While Kairouan, the capital of Ifriqiya under multiple dynasties, and Córdoba, the capital of Umayyad al-Andalus, were some of the most important centers during the 8th to 10th centuries, a wider regional style was later synthesized and shared across the Maghreb and al-Andalus thanks to the empires of the Almoravids and the Almohads, which unified both regions for much of the 11th to 13th centuries. Within this wider region, a certain difference remained between architectural styles in the more easterly region of Ifriqiya (roughly present-day Tunisia) and a more specific style in the western Maghreb (present-day Morocco and western Algeria) and al-Andalus, sometimes referred to as Hispano-Moresque or Hispano-Maghrebi. (Full article...)

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