Shooting scenes for ‘Prehistoric Planet: Ice Age’ Puppet passes, and the art of the nature doco, without animals to film.
Puppets, previs and prehistoric creatures Issue #61 of befores & afters magazine covers the visual effects of Prehistoric Planet: Ice Age.
Behind the scenes of weapons, armor and prosthetics in ‘House of the Dragon’ New featurette on episode 2 of season 3.
ILM’s Cary Phillips on the development of Cari for ‘Dragonheart’ It's the newest podcast in our ILM series!
Watch Wētā FX’s VFX breakdown for ‘Stranger Things’ 5 Go behind the scenes, and find out where to get more info in the magazine.
On The Set Pic: ‘Avatar: The Last Airbender’ Gordon Cormier as Aang in 'Avatar: The Last Airbender' season 2.
Reallusion Unlocks Limitless Creation: iClone Personal Debuts Alongside AI Studio Official Launch Reallusion announces the debut of iClone Personal (free for all users) alongside the official public launch of AI Studio.
“The ending with the Zeppelin was a nightmare, but it turned out pretty cool” How that final airship explosion in The Rocketeer was (almost) a major disaster.
Crafting a color and black and white world for ‘Spider-Noir’ Issue #60 of befores & afters magazine covers the visual effects of Spider-Noir.
How to fly Air Force One The challenge of re-creating a very recognizable aircraft for 'Pluribus'. An excerpt from issue #59 of befores & afters magazine.
On The Set Pic: ‘The Last Airbender’, season 2 (L to R) Gordon Cormier as Aang, Dallas Liu as Zuko in season 2 of Avatar: The Last Airbender.
Puppets, previs and prehistoric creatures Issue #61 of befores & afters magazine covers the visual effects of Prehistoric Planet: Ice Age.
Crafting a color and black and white world for ‘Spider-Noir’ Issue #60 of befores & afters magazine covers the visual effects of Spider-Noir.
Air Force One, and other invisible effects in ‘Pluribus’ Issue #59 of befores & afters magazine covers the visual effects of Pluribus.
Deathclaws, rad-creatures, Vegas and more The visual effects and virtual production in Fallout, season 2, in the new magazine.
From classroom to credits From Aerospace to Spider-Man: How an Engineering Degree Paved the Way for a Career in the Arts (and a Sci-Tech Award!)
From classroom to credits The art of compositing - this artist sits at the heart of both live-action and animation.
From classroom to credits Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
ILM’s Cary Phillips on the development of Cari for ‘Dragonheart’ It's the newest podcast in our ILM series!
Crafting that killer oner for season 2 of ‘Daredevil: Born Again’ Plus, the ship sequence and invisible effects (which even included graffiti!).
Our live VFX Notes podcast on the best VFX shot in history is now available to view Recorded LIVE at FMX! Find out which VFX shot in history we thought was the best...
Fire, explosions, water and deer: the visual effects of season 3 of ‘The Night Agent’ A new podcast that goes behind the scenes.
The visual effects of ‘Star Trek: Starfleet Academy’ Go behind the scenes in this podcast and extensive VFX breakdown video.
How to get the most out of the VES On-Set VFX Data Collection and Usage Guide How the Guide was made, and what you can use it for right now.
“The ending with the Zeppelin was a nightmare, but it turned out pretty cool” How that final airship explosion in The Rocketeer was (almost) a major disaster.
‘Dragonheart’: the inside stories Celebrate the 30th anniversary of Dragonheart with key members of the VFX team.
What’s coming soon to befores & afters New magazines, podcasts and other fun coverage in VFX and animation.
More of the SIGGRAPH 2026 schedule has been published A huge number of Talks have been announced, covering projects like Fire and Ash, Stranger Things 5, Toy Story 5, and more.
Reallusion Unlocks Limitless Creation: iClone Personal Debuts Alongside AI Studio Official Launch Reallusion announces the debut of iClone Personal (free for all users) alongside the official public launch of AI Studio.
From classroom to credits From Aerospace to Spider-Man: How an Engineering Degree Paved the Way for a Career in the Arts (and a Sci-Tech Award!)
From classroom to credits The art of compositing - this artist sits at the heart of both live-action and animation.
Reallusion Redefines Digital Double Creation with the Launch of Headshot 3 for Character Creator 5 What's new in Headshot 3.
The Power of Hybrid AI: Reallusion Announces 2026 Vision Reallusion is proud to unveil its latest technology roadmap.
From classroom to credits Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
Powering a VFX Oscar winner Behind two key Wētā FX tech developments for fire and character deformation on Avatar: Fire and Ash.
From classroom to credits How the right school helped this compositor land his latest credit on 'Invasion' season 3.
Unleash Creativity with iRender’s Cinema 4D and Redshift Render Farm in 2026 Join iRender now and unleash your creativity with Cinema 4D and Redshift rendering!
Behind the scenes of weapons, armor and prosthetics in ‘House of the Dragon’ New featurette on episode 2 of season 3.
Watch Wētā FX’s VFX breakdown for ‘Stranger Things’ 5 Go behind the scenes, and find out where to get more info in the magazine.