About
Experience & Education
Languages
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English
Native or bilingual proficiency
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Spanish
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Organizations
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YPO - Young Presidents Organization
Member
- PresentInternational organization of presidents and CEOs under 50 years of age
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Academy of Televison Arts and Sciences
Children's Peer Group Executive Committee
- Present -
Producer's Guild of America
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- Present -
Academy of Television Arts & Sciences
Governor
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Sigma Alpha Epsilon - SAE
Eminent Archon, Eminent Deputy Archon
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Jasmine Madatian
Jasmine Madatian
I am a marketing executive with core expertise in all facets of entertainment communications and brand strategy, an expert advancing business goals for public, private and non-profit organizations.<br><br>I have proven expertise in experiential marketing, promotional partnerships, media training, digital/social platforms, talent and media relations, award campaigns, crisis management and event production.<br><br>I am a motivated, innovative leader with a consistent track record spearheading successful programs driving consumer and employee engagement for Fortune 100 companies. I have loyal, longstanding contacts and relationships with consumer, business and trade media.<br><br>I am an experienced communications professional with senior leadership roles at Walt Disney Studios, DreamWorks Studios/Amblin Partners, Fox, Paramount Pictures, and the Academy of Motion Picture Arts & Sciences/The Oscars. <br><br>I have developed and executed global marketing communications strategies, always with an eye toward innovation and imagination.<br><br>I have worked as a PR consultant via my company, AshTam LLC, providing strategic counsel to clients including the city of Los Angeles and the producers of the Oscars.<br><br>I am based in San Francisco.
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Khoa Trinh
A trailer raised $400,000. No distributor. No studio backing. No guarantee the film would ever exist. Just a visual and a story strong enough to make people reach for their wallets. That's The Lovers, from Studio Heartbreak. A project Otsu Labs is part of. The trailer dropped in 2023. By the time the campaign closed, there was enough to produce 20 minutes of high quality animation. The model is simple. If you can't fund a full production, don't wait until you can. Package what you have. Make the best possible version of the first chapter. Put it in front of the right audience. Let them decide if it's worth finishing. It's the same logic as Steam Early Access. Some of those games took 10 years to ship. But the audience stayed because they believed in what they saw early. Studio keeps working. Audience gets something real to follow. Nobody waits for permission. Nobody waits for a greenlight that may never come. The film gets made because the people who wanted it helped make it possible. That's not crowdfunding as a last resort. That's a distribution model built on trust. #KhoaTrinh
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