Titane Review: Extreme Body Horror Film Fails In Exploring Its Protagonist
The film’s true weakness is in its inability to explore Alexia as a person, keeping things vague while centering the extreme body horror aspects.
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The film’s true weakness is in its inability to explore Alexia as a person, keeping things vague while centering the extreme body horror aspects.
While it has entertaining moments, Black as Night isn't very balanced and the overall lack of levity ultimately makes the film a slog to get through.
The Addams Family 2 is a shallow continuation that spends too much time on unconnected hijinks resulting in an uneven sequel with much less heart.
Venom: Let There Be Carnage delivers some more of what works - Eddie and Venom's dynamic - though everything around them remains quite messy.
Daniel Craig’s fifth and final outing as Bond is replete with fantastic action sequences and an emotional center despite the final act being shaky.
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Dear Evan Hansen goes for sincerity but it lacks awareness about its central character and has nothing interesting or deep to say about mental health.
While Birds of Paradise stumbles in some areas, it then pirouettes into something darkly intriguing that will have viewers waiting on the next step.
Heartwarming, elegant, and often profound in its exploration of loneliness and human connection, I’m Your Man is exquisitely charming and smart.
Cry Macho is a fairly standard Western hampered by a thin story, which prevents it from reaching the heights of Eastwood's storied filmography.
While The Eyes of Tammy Faye is a flattering account of the televangelist, it still manages to show her flaws — humanizing her in the process.
The film is tender and thoughtful in its exploration of loss, lingering in the details and memories shaping life, almost reverent in its approach.
Elevated by a stunning performance by Munn, Violet conveys the challenges of living in one’s head in greatly effective, if somewhat tedious, ways.
Examining the inspiration for his famous cat drawings, the film is a whimsical, warm, captivating, and tonally uneven story about the illustrator.
Sion Sono's Prisoners of the Ghostland is one of Nic Cage's strangest films — and, based on the visuals alone, is destined to become a cult classic.
Everybody’s Talking About Jamie is a delightful and sincere coming-of-age musical comedy that gets a proper and lively film adaptation.
Starring Judy Greer and Melanie Lynskey, Lady of the Manor is a delightful (if predictable) comedy that highlights its talented cast.
Encounter weaves a mysterious tale that is filled with intensity, high stakes, incredibly deep and nuanced performances, and changing perspectives.
Steeped in heartbreaking turmoil and layered performances, the film is lackluster when exploring the characters and their history with mental illness.