Chair, AFI Jury for Motion PicturesAFI ConservatoryDirector/Screenwriter
Dick Askin
Academy of Television Arts & SciencesAFI Board of Trustees
Richard Frank
Chair, AFI Jury for TelevisionAFI Board of Trustees
Steven Bochco
Producer/Screenwriter
Kevin S. Bright
Producer/Director
Paul Brownfield
Los Angeles Times
Michael Dinner
Producer/Director/Screenwriter
Barry Garron
The Hollywood Reporter
Amanda D. Lotz
University of Michigan
Brian Lowry
Variety
Tara McPherson
University of Southern California
Matt Roush
TV Guide
Vivian Sobchack
University of California, Los AngelesAFI Board of Trustees
Kristal Brent Zook
Columbia University
Robert G. Rehme
Chair, AFI Jury for Motion PicturesProducerAFI Board of Trustees
Michael Apted
Directors Guild of AmericaProducer/Director/ScreenwriterAFI Board of Trustees
Roger Birnbaum
Spyglass EntertainmentAFI Board of Trustees
Leo Braudy
University of Southern California
James L. Brooks
Producer/Director/Screenwriter
Mary Corey
University of California, Los Angeles
Jane Gaines
Duke University
Elvis Mitchell
National Public Radio
Diana Ossana
Producer/Screenwriter
David V. Picker
ProducerAFI Trustee Emeritus
Tom Pollock
ProducerAFI Board of Trustees
Kenneth Turan
Los Angeles Times
Anne Thompson
The Hollywood Reporter
Marshall Herskovitz
Chair, AFI Jury for TelevisionChair, AFI Jury for TelevisionAFI Board of Trustees
Dick Askin
Academy of Television Arts & SciencesTribune Entertainment CompanyAFI Board of Trustees
Lionel Chetwynd
Producer/Screenwriter
Mary Corey
University of California, Los Angeles
Tony Jonas
Producer
Jeffrey Kramer
Producer
Melanie McFarland
Seattle Post Intelligencer
Tara McPherson
University of Southern California
James Poniewozik
Time Magazine
Dorothea Petrie
Producer
Matt Roush
TV Guide
Del Reisman
AFI Conservatory
Robert G. Rehme
Chair, AFI Jury for Motion Pictures Producer AFI Board of Trustees
Martha Coolidge
Director
David Denby
The New Yorker
Anna Everett
University of California, Santa Barbara
Norman Jewison
Producer/Director
Tom Pollock
ProducerAFI Board of Trustees
Jay Roach
Producer/Director
Lisa Schwarzbaum
Entertainment Weekly
Vivian Sobchack
University of California, Los AngelesAFI Board of Trustees
David Thomson
Film Historian
Stephen Ujlaki
San Francisco State University
Kenneth Turan
Los Angeles Times
Laura Ziskin
Laura Ziskin
Richard Frank
Chair, AFI Jury for TelevisionThe FirmAFI Board of Trustees
Richard Askin, Jr.
Academy of Television Arts & SciencesTribune Entertainment Company AFI Board of Trustees
Neal Baer
Producer/Screenwriter
David Bianculli
The Daily News
Alex Ben Block
Television Week
Barbara Corday
Producer/Screenwriter
Mary Corey
University of California, Los Angeles
Melanie McFarland
Seattle Post-Intelligencer
Tara McPherson
University of Southern California
Janet Murray
Georgia Institute of TechnologyAFI Board of Trustees
Horace Newcomb
University of GeorgiaGeorge Foster Peabody Awards
Jerry Offsay
Producer
Matt Roush
TV Guide
Roger Ebert
Chair, AFI Jury for Motion PicturesChicago Sun-TimesEBERT & ROEPER
David Ansen
Newsweek
Jeanine Basinger
Wesleyan UniversityAFI Trustee Emerita
Leo Braudy
University of Southern California
James Cromwell
Actor
Naomi Foner
Producer/Screenwriter
Joan Micklin Silver
Director/Screenwriter
Tom Pollock
ProducerAFI Board of Trustees
Robert G. Rehme
ProducerAFI Board of Trustees
Richard Schickel
Time MagazineProducer/Director/Screenwriter
Lisa Schwarzbaum
Entertainment Weekly
Michael Wood
Princeton University
Janet Yang
Producer
Diane Werts
Newsday
Dean Valentine
Former President & CEO, UPN
Penelope Spheeris
Director
Matt Roush
TV Guide
Dorothea Petrie
Producer
Horace Newcomb
University of GeorgiaGeorge Foster Peabody Awards
Brian Lowry
Variety
Helaine Head
University of Southern California
Ted Harbert
Producer
Chuck Fries
ProducerAFI Board of Trustees
Mary Corey
University of California, Los Angeles
Irby Brown
University of Richmond
Richard Frank
Chair, AFI Jury for TelevisionIntegrated Entertainment PartnersAFI Board of Trustees
Tom Pollock
ProducerAFI Board of Trustees
Anne V. Coates
Editor
Vivian Sobchack
University of California, Los AngelesAFI Board of Trustees
Leonard Schrader
AFI ConservatoryDirector/Screenwriter
Richard Schickel
Time MagazineProducer/Director/Screenwriter
Ted Perry
Middlebury CollegeAFI Trustee Emeritus
Curtis Marez
University of Southern California
Glenn Kenny
Premiere Magazine
Kirk Honeycutt
The Hollywood Reporter
Jay Boyar
Orlando Sentinel
Jeanine Basinger
Wesleyan UniversityAFI Trustee Emerita
John Badham
Director
Leonard Maltin
Chair, AFI Jury for Motion PicturesENTERTAINMENT TONIGHT
Richard Frank
Chair, AFI Jury for Television
Neema Barnett
Director
Barbara Corday
Producer
Lesli Linka Glatter
Producer/Director
Kay McFadden
The Seattle Times
Horace Newcomb
University of GeorgiaGeorge Foster Peabody AwardsAFI Trustee Emeritus
Daniel Petrie, Jr.
Producer/Director/ScreenwriteAFI Board of Trustees
Victoria Riskin
Writers Guild of AmericaScreenwriter
Matt Roush
TV Guide
Robert Thompson
Syracuse University
Anthony Thomopoulos
Former President, ABC EntertainmentMedia Arts Group, Inc.AFI Trustee Emeritus
Ken Tucker
Entertainment Weekly
Peter Werner
DirectorAFI Trustee Emeritus
Tom Pollock
ProducerAFI Board of Trustees
David Ansen
Newsweek
Jeanine Basinger
Chair, AFI Jury for Motion PicturesWesleyan UniversityAFI Trustee Emerita
Julie Dash
Producer/Director/Screenwriter
Lindsey Doran
Producer
Leonard Maltin
ENTERTAINMENT TONIGHT
Fay Kanin
ScreenwriterAFI Board of Trustees
Jim Hosney
Film Historian/Scholar
Ted Perry
Middlebury CollegeAFI Trustee Emeritus
Bob Rehme
ProducerAFI Board of Trustees
Carrie Rickey
The Philadelphia Inquirer
Tom Schatz
University of Texas, Austin
Saul Zaentz
Producer
Barrie Lawson Loeks
Loeks-Star Theatres
Lucy Liu
Actor
Brian Lowry
Los Angeles Times
Sidney Lumet
Director
Shirley MacLaine
Actor
Delbert Mann
Director
Todd McCarthy
Variety
Kay McFadden
The Seattle Times
Joyce Millman
Salon.com
Dennis Muren
Digital Effects Artist
Chon Noriega
University of California, Los Angeles
Beverly O’Neill
California Institute of the Arts
Ted Perry
Middlebury College
Polly Platt
Producer/Production Designer
Dale Pollock
N.C. School of the Arts
Dorothy Rabinowitz
The Wall Street Journal
Peter Rainer
New York Magazine
Ken Ralston
Digital Effects Artist
Robert Richardson
Cinematographer
Howard Rosenberg
Los Angeles Times
Laurence Rosenthal
Composer
Gena Rowlands
Actor
Leah Rozen
People Magazine
Eva Marie Saint
Actor
Edgar Scherick
Producer
Lisa Schwartzbaum
Entertainment Weekly
Jan Scott
Production Designer
John Singleton
Producer/Director/Screenwriter
Robert Sklar
New York University
Barbara Smith
American Cinematheque
Penelope Spheeris
Director
Steven Spielberg
Producer/Director/ScreenwriterAFI Board of Trustees
Rod Steiger
Actor
Jon Storm
Philadelphia Inquirer
Mary Sweeney
Producer/Screenwriter/Editor
Anne Thompson
Premiere Magazine
Robert Thompson
Syracuse University
Richard Sylbert
Production Designer
Steve Tisch
Producer
Kenneth Turan
Los Angeles TimesCinematographer
Amy Vincent
Cinematographer
Peter Werner
Director
Joanne Weintraub
Milwaukee Journal Sentinel
Michael Wilmington
Chicago Tribune
Ethel Winant
Producer
David Wolper
ProducerAFI Board of Trustees
Eugenio Zanetti
Production Designer
David Zurawik
Baltimore Sun
Hans Zimmer
Composer
Saul Zaentz
Producer
Debbie Allen
Producer/Director/ActorAFI Board of Trustees
Dede Allen
Editor
David Ansen
Newsweek
Darren Aronofsky
Director/Screenwriter
Alan Ball
Producer/Director/Screenwriter
Neema Barnette
Director
Ron Bass
Producer/Screenwriter
Robert Benton
Director/Screenwriter
Bob Boyle
Production Designer
Pieter Jan Brugge
Producer
Henry Bumstead
Production Designer
Michelle Byrd
Independent Features Project
Marcy Carsey
Producer
Mary Schmidt Campbell
NYU's Tisch School
Anne V. Coates
Editor
Richard Corliss
Time Magazine
Leslie Dilley
Production Designer
Richard Edlund
Digital Effects Artist
Nora Ephron
Producer/Director/Screenwriter
Steven Farber
Movieline
Milos Forman
Director
Stephen Gaghan
Screenwriter
Leslie Linka Glatter
Director
Jerry Goldsmith
Composer
Gary David Goldberg
Producer/Screenwriter
Tim Goodman
San Francisco Examiner
Mary Ann Grasso
National Assoc. of Theatre Owners
Christopher Guest
Director/Screenwriter/Actor
Amy Heckerling
Producer/Director/Screenwriter
Leonard Hill
Producer
Foster Hirsch
Scholar/Historian
Tina Hirsch
Editor
Winnie Holzman
Producer/Screenwriter
Kirk Honeycutt
The Hollywood Reporter
Dawn Hudson
Independent Feature Project West
Greg Hoblit
Producer/Director
Annette Insdorf
Columbia University
Mark Johnson
Producer
Spike Jonze
Director/Actor
Shirley Jones
Actor
Glenn Jordan
Producer/Director
Janusz Kamiński
Cinematographer
James Katz
Preservationist
Rita Kempley
The Washington Post
Kathleen Kennedy
ProducerAFI Board of Trustees
Callie Khouri
Screenwriter
James V. Kimsey
AFI Board of Trustees
Arnold Kopelson
Producer
Alan Ladd, Jr.
Producer
Martin Landau
Actor
Tom Pollock
Chair, AFI 2000 JuryAFI Board of Trustees
David Ansen
Film Journalist/Critic
Jeanine Basinger
Film Scholar
Bill Duke
AFI Board of Trustees
James Katz
Film Preservationist/Historian
Rita Kempley
Film Journalist/Critic
Michael Nesmith
AFI Board of Trustees
Thomas Schatz
Film Scholar
Vivian Sobchack
AFI Board of Trustees
Anne Thompson
Film Journalist/Critic
Saul Zaentz
Filmmaker
Steven Zaillian
Filmmaker
AFI AWARDS 2014
Each year, AFI AWARDS honors the 10 films and 10 television programs deemed culturally and artistically representative of the year’s most significant achievements in the art of the moving image. This is the first time in AFI AWARDS history that the voting procedure — including tiebreakers — has resulted in the inclusion of 11 motion picture honorees.
is a living memorial to a military hero — and to the power of cinema to honor all men and women who serve in our nation’s armed forces. Clint Eastwood adds another medal to his storied place in American history with this adrenaline-fueled exploration of the deep complexities that come with combat. Bradley Cooper’s performance as the legendary Chris Kyle captures the conflict inside the man with a lethal legacy, one torn between his family at home and his brothers-in-arms. Read the AFI Catalog entry
BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE)
sings of the wide divide between artist and celebrity — and the uniting force to feel beloved on the earth. Alejandro González Iñárritu and his brilliant creative ensemble provide a backstage pass into the worried minds behind a Broadway show, asking audiences to consider what is art and what is artifice. Emmanuel Lubezki’s camera is fluid in flight, following Edward Norton, Naomi Watts and Emma Stone as they hit the boards with star wattage, and Michael Keaton’s tour de force performance soars into the history of cinema as a celebration of both humility and hubris. Read the AFI Catalog entry
BOYHOOD
frames the snapshots of a life lived, presenting an intimately epic coming-of-age tale unique in the history of the art form. With the commitment to an on- and off-screen story that spans more than a decade, producer/director/writer Richard Linklater stacks slices of life into a layered and emotionally affecting narrative, with enduring performances from Patricia Arquette, Ethan Hawke and Lorelei Linklater as the film family to the story’s star Ellar Coltrane. In a world consumed by “selfies,” BOYHOOD looks outward to ask, “Do we seize the moment. Or does the moment seize us?” Read the AFI Catalog entry
FOXCATCHER
paints a complex, haunting portrait of America — from the gilded halls of the du Pont estate to the sweat-stained wrestling mats that serve as the stage to win Olympic gold. Their deadly intersection is charted with a deft touch by director Bennett Miller, who explores singular truths in a symphony of delusion. Steve Carell’s transformational performance is paired with remarkably real turns by Channing Tatum and Mark Ruffalo, who bring the film to its feet and prove the power of stories to ask a nation what it is to “win” and to consider the price of the prize. Read the AFI Catalog entry
THE IMITATION GAME
reveals a new piece in the puzzle of the Allied victory in World War II. With a gift for storytelling both pulse-pounding and pensive, director Morten Tyldum celebrates the story behind the iconic wartime images by telling the tale of the unlikely team who cracked Nazi Germany’s Enigma code. The power of the film is embedded in the triumphs and tragedies of Alan Turing, an enigma himself brilliantly deciphered by Benedict Cumberbatch. With a stellar ensemble cast set aglow by the radiant Keira Knightley, the film elevates Turing’s inimitable accomplishments to a proper place in history. Read the AFI Catalog entry
INTERSTELLAR
is proof on earth that artists provide our strongest voice to rage against the dying of the light. Christopher Nolan illuminates the darkness of deepest space with the brilliance of his singular creative vision, while grounding the cosmos in a deeply emotional tale of fathers and daughters. This is cinema at its most ambitious, with Matthew McConaughey, Anne Hathaway and Jessica Chastain providing the beating heart to this awe-inspiring work that reaches across time and space to find meaning in the unexplainable. Read the AFI Catalog entry
INTO THE WOODS
cuts deep into the myths of our most classic fairy tales, inviting audiences to ask the reflection in a fractured looking glass: “Are you certain your wish is what you want?” Rob Marshall and a spellbinding ensemble led by the eternally bewitching Meryl Streep bring Stephen Sondheim and James Lapine’s beloved musical to the light of a silvery screen. Midnights mark the time in a world where people make mistakes, nice is different than good, and love and loss abound in the story that follows happily ever after. Read the AFI Catalog entry
NIGHTCRAWLER
digs deep into the shadows of a news machine fueled by the morbid maxim: “If it bleeds, it leads.” Jake Gyllenhaal’s turn as opportunistic videographer Lou Bloom is both bold and bravura, his sociopathic stare masked only by the camera he hides behind. This modern noir from writer/director Dan Gilroy illustrates the fine line between breaking news and making news, and Rene Russo is formidable as both victim and accomplice to Bloom’s mesmerizing violation of all boundaries in pursuit of the dark side of an American dream. Read the AFI Catalog entry
SELMA
dreams of a day when America lives by the rule of its writings — that all men and women are created equal. Ava DuVernay leads this march into history with an inspired vision of Dr. Martin Luther King, Jr. — whose spirit is embodied by David Oyelowo in a transcendent performance. This is a film that flies the flag high for American film, inviting audiences to rise above the breathless shame of our nation’s past and come together as one as we look to the future. Read the AFI Catalog entry
UNBROKEN
stands tall as a monument to the American ideal embodied by Louis Zamperini. Based on the book by Laura Hillenbrand, this miraculous story of survival, resilience and redemption soars to the screen under the sure hand of director Angelina Jolie, whose classic style celebrates the timeless nature of its tale. Jack O’Connell’s courageous performance of this Olympian turned World War II hero earns every ounce of respect due Zamperini, who forged a lifetime of glory by proving that if we can take it, we can make it. Read the AFI Catalog entry
WHIPLASH
drums up a perfectly paced drama that crescendos with the question: “What is the line between mentor and monster?” Director Damien Chazelle conducts with both panache and restraint — never rushing, never dragging — and J.K. Simmons is instantly iconic as the black-clad, monolithic instructor who drives Miles Teller’s finely tuned performance as the young musician in a bloody battle to be the best. Read the AFI Catalog entry
AFI TELEVISION PROGRAMS OF THE YEAR
THE AMERICANS
tightens the intense grip of Joe Weisberg’s superb suburban spy thriller in its second year, proving that hearth and home are no respite from the Cold War. As agents undercover, Keri Russell and Matthew Rhys balance the intimacy of espionage with the audacity of parenting, and in the process, they achieve what might appear unimaginable — empathy for the enemy.
FARGO
argues that murder is a dish best served cold — particularly when paired with puckish pathos in Noah Hawley’s spin-off of the Coen brothers’ classic film. Here, small-town warmth, embodied by Allison Tolman’s Deputy Molly Solverson, gives way to the frigid Minnesota winter and the bitter chill of human depravity. Completing this macabre needlepoint are Martin Freeman’s milquetoast-turned-murderer and Billy Bob Thornton’s hilariously haunting hit man.
GAME OF THRONES
continues to expand its epic scope in the fourth year, as masterminds David Benioff and D.B. Weiss unleash all sides in the bloody battle for Westeros, where revenge rules and kings fall. Presented on a continually unfurling canvas, the show finds the strength of its voice in the majesty of its humanity — embodied best this year by the towering presence of Peter Dinklage.
HOW TO GET AWAY WITH MURDER
is killer entertainment. Created by Peter Nowalk and produced by Shonda Rhimes, the series is a deliciously deviant master class in devil’s advocacy, driven by inquiry and intellect. Viola Davis is a powerful force in any medium, here building an airtight case for the show’s prominent place in America’s weekly digital discourse.
JANE THE VIRGIN
delivers one of the year’s most delightful surprises — a modern melodrama from the telenovela mold, with lively theatrics that elevate it into a class by itself. Immaculately adapted by Jennie Snyder Urman, this romantic comedy finds humor in a tiny, beating heart — and witnesses the birth of a star with Gina Rodriguez’s wide-eyed performance.
THE KNICK
sparks an electric sense for the future in what first appears to be a bloody and backward past at New York’s Knickerbocker Hospital. Creators Jack Amiel and Michael Begler — along with the symphonic talents of director, cinematographer and editor Steven Soderbergh — operate in a world where ambition and addiction, issues of race and reputation all collide in the masterful personification of Dr. John Thackery by Clive Owen.
MAD MEN
tees up the beginning of its end by surpassing the impossibly high standards it has set as one of television’s most celebrated series. Long telegraphed by the now iconic opening credits, Don Draper’s prophesied fall is nonetheless filled with surprises in a world lavish with the period nuances emblematic of Matt Weiner’s eye and ear for detailed perfection. Reinventing their lives and their lines with each new show is an exquisite ensemble led by Jon Hamm.
ORANGE IS THE NEW BLACK
locks down its place in the pantheon with a second year that surpasses its breakout debut. Creator Jenji Kohan asks more of her fierce and fantastic ensemble by creating solitary stories embedded within a complete slow-burn arc. Watching the release is a celebration of the unified emotional truths between audiences and those that society has set aside.
SILICON VALLEY
is inspired comedy for an Internet age. Creators Mike Judge, John Altschuler and Dave Krinsky have found the algorithm to fuse intellect and idiocy, lampooning a start-up culture where millennial misfits work together, and even the most low-tech of audiences will find laughter in their striving to thrive.
TRANSPARENT
illuminates the role of television in changing global perceptions through laughter and love. Jeffrey Tambor is transcendent as a divorced dad true to herself in Jill Soloway’s emotionally universal series — one which challenges notions of genre and gender by celebrating the idea that we’re all human, no matter who we are on the outside.
AFI AWARDS was created in 2000 to recognize the films and television programs which contribute to our collective cultural legacy. When placed in an historical context, these stories provide a complex, rich, visual record of our modern world. Since then, AFI AWARDS has honored 10 outstanding films and 10 outstanding TV programs deemed culturally and artistically representative of the year’s most significant achievements in the art of the moving image.
Collectively celebrating the most outstanding film and television programs of the year, AFI AWARDS 2021 honorees will be announced in December 2021.
Unique in its celebration of the art form’s collaborative nature, AFI AWARDS is the only national program that honors creative teams as a whole – recognizing those in front of and behind the camera.
SELECTION CRITERIA
Honorees are selected based on works which:
Advance the art of the moving image
Inspire audiences and artists alike
Enhance the rich cultural heritage of America’s art form
A UNIQUE JURY PROCESS
AFI AWARDS selections are made through AFI’s unique jury process – in which scholars, artists, critics and AFI Trustees determine the most outstanding achievements of the year.
For additional information about AFI AWARDS, contact Josh Kushins at [email protected]
AFI is a 501c3 non-profit advancing the art of the moving image by empowering storytellers and inspiring audiences
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