Chair, AFI Jury for Motion PicturesAFI ConservatoryDirector/Screenwriter
Dick Askin
Academy of Television Arts & SciencesAFI Board of Trustees
Richard Frank
Chair, AFI Jury for TelevisionAFI Board of Trustees
Steven Bochco
Producer/Screenwriter
Kevin S. Bright
Producer/Director
Paul Brownfield
Los Angeles Times
Michael Dinner
Producer/Director/Screenwriter
Barry Garron
The Hollywood Reporter
Amanda D. Lotz
University of Michigan
Brian Lowry
Variety
Tara McPherson
University of Southern California
Matt Roush
TV Guide
Vivian Sobchack
University of California, Los AngelesAFI Board of Trustees
Kristal Brent Zook
Columbia University
Robert G. Rehme
Chair, AFI Jury for Motion PicturesProducerAFI Board of Trustees
Michael Apted
Directors Guild of AmericaProducer/Director/ScreenwriterAFI Board of Trustees
Roger Birnbaum
Spyglass EntertainmentAFI Board of Trustees
Leo Braudy
University of Southern California
James L. Brooks
Producer/Director/Screenwriter
Mary Corey
University of California, Los Angeles
Jane Gaines
Duke University
Elvis Mitchell
National Public Radio
Diana Ossana
Producer/Screenwriter
David V. Picker
ProducerAFI Trustee Emeritus
Tom Pollock
ProducerAFI Board of Trustees
Kenneth Turan
Los Angeles Times
Anne Thompson
The Hollywood Reporter
Marshall Herskovitz
Chair, AFI Jury for TelevisionChair, AFI Jury for TelevisionAFI Board of Trustees
Dick Askin
Academy of Television Arts & SciencesTribune Entertainment CompanyAFI Board of Trustees
Lionel Chetwynd
Producer/Screenwriter
Mary Corey
University of California, Los Angeles
Tony Jonas
Producer
Jeffrey Kramer
Producer
Melanie McFarland
Seattle Post Intelligencer
Tara McPherson
University of Southern California
James Poniewozik
Time Magazine
Dorothea Petrie
Producer
Matt Roush
TV Guide
Del Reisman
AFI Conservatory
Robert G. Rehme
Chair, AFI Jury for Motion Pictures Producer AFI Board of Trustees
Martha Coolidge
Director
David Denby
The New Yorker
Anna Everett
University of California, Santa Barbara
Norman Jewison
Producer/Director
Tom Pollock
ProducerAFI Board of Trustees
Jay Roach
Producer/Director
Lisa Schwarzbaum
Entertainment Weekly
Vivian Sobchack
University of California, Los AngelesAFI Board of Trustees
David Thomson
Film Historian
Stephen Ujlaki
San Francisco State University
Kenneth Turan
Los Angeles Times
Laura Ziskin
Laura Ziskin
Richard Frank
Chair, AFI Jury for TelevisionThe FirmAFI Board of Trustees
Richard Askin, Jr.
Academy of Television Arts & SciencesTribune Entertainment Company AFI Board of Trustees
Neal Baer
Producer/Screenwriter
David Bianculli
The Daily News
Alex Ben Block
Television Week
Barbara Corday
Producer/Screenwriter
Mary Corey
University of California, Los Angeles
Melanie McFarland
Seattle Post-Intelligencer
Tara McPherson
University of Southern California
Janet Murray
Georgia Institute of TechnologyAFI Board of Trustees
Horace Newcomb
University of GeorgiaGeorge Foster Peabody Awards
Jerry Offsay
Producer
Matt Roush
TV Guide
Roger Ebert
Chair, AFI Jury for Motion PicturesChicago Sun-TimesEBERT & ROEPER
David Ansen
Newsweek
Jeanine Basinger
Wesleyan UniversityAFI Trustee Emerita
Leo Braudy
University of Southern California
James Cromwell
Actor
Naomi Foner
Producer/Screenwriter
Joan Micklin Silver
Director/Screenwriter
Tom Pollock
ProducerAFI Board of Trustees
Robert G. Rehme
ProducerAFI Board of Trustees
Richard Schickel
Time MagazineProducer/Director/Screenwriter
Lisa Schwarzbaum
Entertainment Weekly
Michael Wood
Princeton University
Janet Yang
Producer
Diane Werts
Newsday
Dean Valentine
Former President & CEO, UPN
Penelope Spheeris
Director
Matt Roush
TV Guide
Dorothea Petrie
Producer
Horace Newcomb
University of GeorgiaGeorge Foster Peabody Awards
Brian Lowry
Variety
Helaine Head
University of Southern California
Ted Harbert
Producer
Chuck Fries
ProducerAFI Board of Trustees
Mary Corey
University of California, Los Angeles
Irby Brown
University of Richmond
Richard Frank
Chair, AFI Jury for TelevisionIntegrated Entertainment PartnersAFI Board of Trustees
Tom Pollock
ProducerAFI Board of Trustees
Anne V. Coates
Editor
Vivian Sobchack
University of California, Los AngelesAFI Board of Trustees
Leonard Schrader
AFI ConservatoryDirector/Screenwriter
Richard Schickel
Time MagazineProducer/Director/Screenwriter
Ted Perry
Middlebury CollegeAFI Trustee Emeritus
Curtis Marez
University of Southern California
Glenn Kenny
Premiere Magazine
Kirk Honeycutt
The Hollywood Reporter
Jay Boyar
Orlando Sentinel
Jeanine Basinger
Wesleyan UniversityAFI Trustee Emerita
John Badham
Director
Leonard Maltin
Chair, AFI Jury for Motion PicturesENTERTAINMENT TONIGHT
Richard Frank
Chair, AFI Jury for Television
Neema Barnett
Director
Barbara Corday
Producer
Lesli Linka Glatter
Producer/Director
Kay McFadden
The Seattle Times
Horace Newcomb
University of GeorgiaGeorge Foster Peabody AwardsAFI Trustee Emeritus
Daniel Petrie, Jr.
Producer/Director/ScreenwriteAFI Board of Trustees
Victoria Riskin
Writers Guild of AmericaScreenwriter
Matt Roush
TV Guide
Robert Thompson
Syracuse University
Anthony Thomopoulos
Former President, ABC EntertainmentMedia Arts Group, Inc.AFI Trustee Emeritus
Ken Tucker
Entertainment Weekly
Peter Werner
DirectorAFI Trustee Emeritus
Tom Pollock
ProducerAFI Board of Trustees
David Ansen
Newsweek
Jeanine Basinger
Chair, AFI Jury for Motion PicturesWesleyan UniversityAFI Trustee Emerita
Julie Dash
Producer/Director/Screenwriter
Lindsey Doran
Producer
Leonard Maltin
ENTERTAINMENT TONIGHT
Fay Kanin
ScreenwriterAFI Board of Trustees
Jim Hosney
Film Historian/Scholar
Ted Perry
Middlebury CollegeAFI Trustee Emeritus
Bob Rehme
ProducerAFI Board of Trustees
Carrie Rickey
The Philadelphia Inquirer
Tom Schatz
University of Texas, Austin
Saul Zaentz
Producer
Barrie Lawson Loeks
Loeks-Star Theatres
Lucy Liu
Actor
Brian Lowry
Los Angeles Times
Sidney Lumet
Director
Shirley MacLaine
Actor
Delbert Mann
Director
Todd McCarthy
Variety
Kay McFadden
The Seattle Times
Joyce Millman
Salon.com
Dennis Muren
Digital Effects Artist
Chon Noriega
University of California, Los Angeles
Beverly O’Neill
California Institute of the Arts
Ted Perry
Middlebury College
Polly Platt
Producer/Production Designer
Dale Pollock
N.C. School of the Arts
Dorothy Rabinowitz
The Wall Street Journal
Peter Rainer
New York Magazine
Ken Ralston
Digital Effects Artist
Robert Richardson
Cinematographer
Howard Rosenberg
Los Angeles Times
Laurence Rosenthal
Composer
Gena Rowlands
Actor
Leah Rozen
People Magazine
Eva Marie Saint
Actor
Edgar Scherick
Producer
Lisa Schwartzbaum
Entertainment Weekly
Jan Scott
Production Designer
John Singleton
Producer/Director/Screenwriter
Robert Sklar
New York University
Barbara Smith
American Cinematheque
Penelope Spheeris
Director
Steven Spielberg
Producer/Director/ScreenwriterAFI Board of Trustees
Rod Steiger
Actor
Jon Storm
Philadelphia Inquirer
Mary Sweeney
Producer/Screenwriter/Editor
Anne Thompson
Premiere Magazine
Robert Thompson
Syracuse University
Richard Sylbert
Production Designer
Steve Tisch
Producer
Kenneth Turan
Los Angeles TimesCinematographer
Amy Vincent
Cinematographer
Peter Werner
Director
Joanne Weintraub
Milwaukee Journal Sentinel
Michael Wilmington
Chicago Tribune
Ethel Winant
Producer
David Wolper
ProducerAFI Board of Trustees
Eugenio Zanetti
Production Designer
David Zurawik
Baltimore Sun
Hans Zimmer
Composer
Saul Zaentz
Producer
Debbie Allen
Producer/Director/ActorAFI Board of Trustees
Dede Allen
Editor
David Ansen
Newsweek
Darren Aronofsky
Director/Screenwriter
Alan Ball
Producer/Director/Screenwriter
Neema Barnette
Director
Ron Bass
Producer/Screenwriter
Robert Benton
Director/Screenwriter
Bob Boyle
Production Designer
Pieter Jan Brugge
Producer
Henry Bumstead
Production Designer
Michelle Byrd
Independent Features Project
Marcy Carsey
Producer
Mary Schmidt Campbell
NYU's Tisch School
Anne V. Coates
Editor
Richard Corliss
Time Magazine
Leslie Dilley
Production Designer
Richard Edlund
Digital Effects Artist
Nora Ephron
Producer/Director/Screenwriter
Steven Farber
Movieline
Milos Forman
Director
Stephen Gaghan
Screenwriter
Leslie Linka Glatter
Director
Jerry Goldsmith
Composer
Gary David Goldberg
Producer/Screenwriter
Tim Goodman
San Francisco Examiner
Mary Ann Grasso
National Assoc. of Theatre Owners
Christopher Guest
Director/Screenwriter/Actor
Amy Heckerling
Producer/Director/Screenwriter
Leonard Hill
Producer
Foster Hirsch
Scholar/Historian
Tina Hirsch
Editor
Winnie Holzman
Producer/Screenwriter
Kirk Honeycutt
The Hollywood Reporter
Dawn Hudson
Independent Feature Project West
Greg Hoblit
Producer/Director
Annette Insdorf
Columbia University
Mark Johnson
Producer
Spike Jonze
Director/Actor
Shirley Jones
Actor
Glenn Jordan
Producer/Director
Janusz Kamiński
Cinematographer
James Katz
Preservationist
Rita Kempley
The Washington Post
Kathleen Kennedy
ProducerAFI Board of Trustees
Callie Khouri
Screenwriter
James V. Kimsey
AFI Board of Trustees
Arnold Kopelson
Producer
Alan Ladd, Jr.
Producer
Martin Landau
Actor
Tom Pollock
Chair, AFI 2000 JuryAFI Board of Trustees
David Ansen
Film Journalist/Critic
Jeanine Basinger
Film Scholar
Bill Duke
AFI Board of Trustees
James Katz
Film Preservationist/Historian
Rita Kempley
Film Journalist/Critic
Michael Nesmith
AFI Board of Trustees
Thomas Schatz
Film Scholar
Vivian Sobchack
AFI Board of Trustees
Anne Thompson
Film Journalist/Critic
Saul Zaentz
Filmmaker
Steven Zaillian
Filmmaker
AFI AWARDS 2013
The annual AFI AWARDS luncheon opens with the Institute’s signature March of Time montage – a unique cross-section of cinematic milestones from decades past, which places the year’s motion picture and television honorees into an historical context and provides a perspective on the evolution of the narrative arts.
is a story amazing – and in no good way. Director Steve McQueen shines a bright light on the horrors of the past – a time when caged and tortured humans were fuel to the machine that is America. Ultimately, this true tale is one of survival, a screenplay written by John Ridley and resting firmly upon the shoulders of Chiwetel Ejiofor, who delivers a strong and soulful performance as Solomon Northup – a free man kidnapped and sold into slavery. His injustice is set against the breathtaking beauty of Southern landscapes, which only serve to enhance atrocities disgracefully forgotten – and never before depicted with such raw intensity. Read the AFI Catalog entry
AMERICAN HUSTLE
is eight-track entertainment from the feet up – exposing the question, “What is façade and what is for real?” With no detail overlooked, no hair out of place, David O. Russell’s masterful period piece wires audiences into the exhilarating cons of Christian Bale, Amy Adams and Bradley Cooper. Enter Jennifer Lawrence and Jeremy Renner, with all players playing against type, and you have a tale of ambition that is rollicking and emotionally raw – and an anthem to the notion that the art of survival is a story that never ends. Read the AFI Catalog entry
CAPTAIN PHILLIPS
sails the high seas of heroism in this adrenaline-fueled thriller, where a blinking dot on a radar screen signals the collision of two worlds. Melding documentary realism with pure action filmmaking, Paul Greengrass’ pulse-pounding narrative is anchored by a taut script from Billy Ray and a commanding performance from Tom Hanks, who again captures a character that we all live and breathe. Explosive turns by Barkhad Abdi and other first-time Somali actors ignite the film’s urgent telling of a true tale – an extraordinary effort to save the life of one man and preserve an American ideal. Read the AFI Catalog entry
FRUITVALE STATION
illustrates the power of an art form to find the humanity in a headline. With a steady hand, Ryan Coogler conducts this haunting chronicle of injustice to its inevitable final destination by allowing audiences to share an intimate, bittersweet day with Oscar Grant. Michael B. Jordan brings a delicate, raw nuance to his portrayal of the struggling but hopeful youth, and Octavia Spencer’s big-hearted mom adds to the power of the message – that change will come when we understand and appreciate each other as fellow passengers on a train toward tomorrow. Read the AFI Catalog entry
GRAVITY
holds audiences with the power of a force of nature. Reaching skyward with pioneering ambition, Alfonso Cuarón paints with a canvas so vast and visuals so breathtaking, that the film instantly rockets into the heavens of unforgettable achievements. A theatrical spectacle humbling beyond words, it is at its core a human drama that floats between wonder and terror, with a beating heart provided by two of America’s brightest stars – Sandra Bullock and George Clooney. Bullock’s lead role is so deeply felt and epic in emotion that we stand with her at film’s end, grateful to have experienced one helluva ride. Read the AFI Catalog entry
HER
asks what it is to connect – and what it means to love. This near-future romance is a profoundly relevant valentine to today’s world – a modern fairy tale written and directed by the mind-soaring talents of Spike Jonze. Deeply personal, vulnerable performances by Joaquin Phoenix and Scarlett Johansson tell the story of one man’s passion for an operating system and her shared joy for him. The inevitability of human evolution is a concept scary to some and embraced by others, but this is art at its most powerful – to imagine “what if?” – and present it with a pure, beating heart. Read the AFI Catalog entry
INSIDE LLEWYN DAVIS
embodies the spirit of a great American folk tale – but finds the power of a lyrical odyssey when told by the talents of Joel and Ethan Coen. With T Bone Burnett as their musical muse, the Coens brilliantly encapsulate the saturated soul of the early sixties, as they play this cyclical ballad sparked by a bar fight and a cat on an incredible journey. Oscar Isaac’s finely tuned performance is inseparable from character as he wanders down the road to redemption; lost between undeniable talent and hopeless abjection, he sees his music as we see the film – it’s never new and it never gets old; it’s a folk song. Read the AFI Catalog entry
NEBRASKA
paints a stark portrait of Midwestern America – a Rockwell drained of both color and nostalgia, but nonetheless infused with astounding depth and sentiment. Shadows cast with austere beauty by director Alexander Payne reveal innumerable shades of gray in the film’s characters – evoking empathy, if not sympathy, for an embittered family on an unlikely pilgrimage. Bruce Dern’s million-dollar performance as wayward patriarch Woody Grant creates a quietly stirring and darkly comic study on aging, and Will Forte shines as the son who helps Woody look to the future as the long, open road of memory disappears in the rear-view mirror. Read the AFI Catalog entry
SAVING MR. BANKS
soars to the highest heights, elevating the memory of one of American film’s most celebrated stories. Magic leaps from the pages of Sue Smith and Kelly Marcel’s script, as director John Lee Hancock brilliantly blends the story and the back story of MARY POPPINS’ flight to the silver screen. Icons as icons, Emma Thompson and Tom Hanks spar deftly and delightfully as P.L. Travers and Walt Disney, beautifully embodying the struggle inherent in creating a character so deeply personal and then sharing it with the world. Like Poppins herself, the film is practically perfect in every way. Read the AFI Catalog entry
THE WOLF OF WALL STREET
howls at a moon hanging high above an atavistic America. This cinematic exploration of excess is a cautionary tale, administered like a dangerously addictive drug by a master of cinema. Here, Martin Scorsese and his talented team – with Terence Winter’s script as guide – write another chapter in the history of New York crime families, with Leonardo DiCaprio’s fearless performance hypnotizing those who believe that money matters above all else. Complicit in his transgressions is an all-star ensemble – with Jonah Hill emerging as his colorful partner in crime. Read the AFI Catalog entry
AFI TELEVISION PROGRAMS OF THE YEAR
THE AMERICANS
embeds audiences into a seductive study of the conflicting loyalties between undercover Soviet spies and their adopted American suburbs. Joe Weisberg’s taut Cold War thriller doubles as a portrait of a troubled middle-class marriage – with stars Keri Russell and Matthew Rhys providing the glowing core to this new take on the nuclear family.
BREAKING BAD
held the world captive in its addictive final episodes – breathlessly waiting for word on Walter White’s cancerous descent from sympathetic family man to the darkest of villains. Vince Gilligan and his crack creative ensemble missed no opportunity for conflict and character development as they cooked up an epic conclusion worthy of the series’ undeniable place in the pantheon.
GAME OF THRONES
soars to new heights on dragons’ wings. Rare are the moments when a series so thoroughly shakes its audience with a grim marriage of shock and bloodshed – but in an epic feat, David Benioff and D.B. Weiss execute an exquisite betrayal, turning a strategic alliance into a red wedding so infamous that the world was left gasping for breath.
THE GOOD WIFE
raises the bar in its fifth year with an audacious act of reinvention. Creators Michelle and Robert King upset the status quo with the dissolution of the series’ core legal team – making politics deeply personal in a delicious dance played out by a sparkling, sophisticated ensemble led by Julianna Margulies.
HOUSE OF CARDS
has built a monument to revenge with the careful hand of Beau Willimon. With equal parts bravado and bluff, Kevin Spacey flourishes as a mastermind of Shakespearean ambition – one whose instantly iconic asides reveal the darkly comic and deeply cynical underbelly of the American political system.
MAD MEN
cuts a fashionable figure in its impeccably tailored sixth year – which finds Jon Hamm’s Don Draper and a stellar ensemble careening through the dark days of 1968. Creator Matt Weiner’s stylish stories serve as both a poetic recreation of America’s past and a sobering reminder that nothing endures but change.
MASTERS OF SEX
remembers a time before the world was awash in images of sex – and in doing so, finds the ground to become the rare work actually about sex. Michelle Ashford’s lushly produced period piece embraces both the kinky and clinical aspects of Masters and Johnson’s pioneering research, allowing the series to lay bare its subject with candor and humor – raising consciousness as it raises eyebrows.
ORANGE IS THE NEW BLACK
escapes conventional TV models with a liberating look at life inside a women’s prison. Jenji Kohan’s fearlessly funny and intensely dramatic stories navigate a new world, where fiercely original characters remind audiences that gender and race should be explored and celebrated – on the inside and the outside.
SCANDAL
is a grand opera of passionate political delights – amplified for modern day by maestro Shonda Rhimes. Hot topics are handled with a matter-of-fact approach to diversity that makes the series incisively relevant. Operating on all cylinders is Kerry Washington, who dazzles each week as she leads her gladiators into the world to fix the lives of all but their own.
VEEP
is second to none in today’s television comedies. Armando Iannucci’s satiric eye peers into the office of the Vice President – embodied by the hilariously deadpan Julia Louis-Dreyfus and her oafish entourage of snakes and sycophants. This incisive indictment of government dysfunction finds humor in bureaucratic bad behavior – a political reality that’s so painfully funny because it might just be true.
AFI AWARDS was created in 2000 to recognize the films and television programs which contribute to our collective cultural legacy. When placed in an historical context, these stories provide a complex, rich, visual record of our modern world. Since then, AFI AWARDS has honored 10 outstanding films and 10 outstanding TV programs deemed culturally and artistically representative of the year’s most significant achievements in the art of the moving image.
Collectively celebrating the most outstanding film and television programs of the year, AFI AWARDS 2021 honorees will be announced in December 2021.
Unique in its celebration of the art form’s collaborative nature, AFI AWARDS is the only national program that honors creative teams as a whole – recognizing those in front of and behind the camera.
SELECTION CRITERIA
Honorees are selected based on works which:
Advance the art of the moving image
Inspire audiences and artists alike
Enhance the rich cultural heritage of America’s art form
A UNIQUE JURY PROCESS
AFI AWARDS selections are made through AFI’s unique jury process – in which scholars, artists, critics and AFI Trustees determine the most outstanding achievements of the year.
For additional information about AFI AWARDS, contact Josh Kushins at [email protected]
AFI is a 501c3 non-profit advancing the art of the moving image by empowering storytellers and inspiring audiences
SIGN UP FOR OUR NEWSLETTER
Privacy Overview
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
You can adjust all of your cookie settings by navigating the tabs on the left hand side.
Strictly Necessary Cookies
Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.
If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.