
Caroll Spinney, Big Bird’s Alter Ego on ‘Sesame Street,’ Is Dead at 85
Besides the sweet-natured giant yellow bird, he also played the misanthropic bellyacher Oscar the Grouch.
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Besides the sweet-natured giant yellow bird, he also played the misanthropic bellyacher Oscar the Grouch.
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Maurizio Cattelan is more than a prankster, and “Comedian,” his potassium-rich latest work, is more than an overpriced piece of fruit.
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He began posting songs online while in high school. On hits like “Lucid Dreams,” he combined melodic hip-hop instincts with heavy-hearted angst.
By Joe Coscarelli and

A remastered concert film and a new documentary reposition the Australian band for the digital age.
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These returning shows, tailor-made for bingeing, deserve to be revisited (or newly discovered).
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The artist Maurizio Cattelan’s taped banana at Art Basel Miami prompted so much buzz and commotion that it was removed on Sunday before the end of the fair.
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Hand-clapping games are played in schoolyards everywhere, in every language. Eventually they find their way to New York City.
By Aaron Reiss, Emily Rhyne and

The costume designers Sandy Powell and Christopher Peterson explain why they turned to Pucci-style looks for the women and how they waded through a sea of ties for the men.
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An opening sketch featured celebrities playing the world leaders who were caught on tape gossiping about President Trump.
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This was a year of highs that included political protest in the art world, a historic Whitney Biennial, inspiring monuments and a revamped MoMA.
By Roberta Smith, Holland Cotter and

In 2019, older works bristled with fresh energy, Joaquin Phoenix reminded us how an actor’s body can speak louder than words and tap came flying back.
By Gia Kourlas, Siobhan Burke and

These titles prove that while the streaming arguments rage and the medium may be a mess, the art form is as healthy as ever.
By A.O. Scott and

Our critics chose the best albums of the year — a format that is in an increasingly fragile state in pop music.
By Jon Pareles and

Shows that defied categorization offered a stark choice: Escape an angry world, or face up to its travails. Beyond Broadway, writers explored race, inequality and addiction.
By Ben Brantley, Jesse Green, Laura Collins-Hughes, Alexis Soloski and
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