News from a Radiant Future: Soviet Porcelain from the Collection of Craig H. and Kay A. Tuber

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University of Illinois Press, 1992 - 92������
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In a 1925 article on the post-Revolutionary production of the State Porcelain Factory in Leningrad, the ceramic artist Elena Danko described the factory's wares as "news from a radiant future." This volume is a catalogue of the Art Institute of Chicago's 1992 exhibit of Soviet porcelain from the collection of Craig and Kay Tuber. The essays included in News from a Radiant Future discuss the relationship between Bolshevik propaganda and the state porcelain factory, as well as the larger tradition of Russian imperial ceramics. They also consider porcelain's connection to the Russian folk heritage and specifically to the October Revolution.

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9 ������ - The bourgeoisie came into power fully armed with the culture of its time. The proletariat, on the other hand, comes into power fully armed only with the acute need of mastering culture. The problem of a proletariat which has conquered power consists, first of all, in taking into its own hands the apparatus of culture — the industries, schools, publications, press, theaters, etc. — which did not serve it before, and thus to open up the path of culture for itself.
12 ������ - Ian Wardropper, Eloise W. Martin Curator of European Decorative Arts and Sculpture and Classical Art: Supporters: Helmut H.
36 ������ - May 1 and with replacing inscriptions, emblems, street names, coats of arms and so forth by new ones reflecting the ideas and feelings of the working class of revolutionary Russia.
41 ������ - Chicago, gift of R. Thornton Wilson in memory of his wife, Florence Ellsworth Wilson (1962 457a-b).
36 ������ - April 1918: [The Soviet of People's Commissars] is entrusted with mobilizing artistic forces and organizing an extensive competition for producing projects of monuments intended to commemorate the great days of the Russian Socialist Revolution....
75 ������ - Soviet viewer — who, probably, had survived the deprivation and terror of World War I, the Revolution, and the Civil War — to remain courageous in the face of the country's continuing problems.
62 ������ - Malevich 1878-1935, exh. cat. The Armand Hammer Museum of Art and Cultural Center, Los Angeles (1990). pp. 174-75. 11 . The 1919 decree "on measures affecting the folk arts industries...
76 ������ - Volga region, which affected 37.5 million people. Signs of famine had been present as early as 1919, but the government had been unwilling to acknowledge...
10 ������ - In the objects in this catalogue, we have a record of the beginnings of a socialist iconography in the Soviet Union that was to develop through the following decades.
75 ������ - Russian artists simply commemorated the October Revolution. Artists' committees decorated the streets, squares, and buildings of major cities to serve as backdrops for parades and spectacles on the anniversary and other important dates.

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